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ACADEMIC
PROGRAM
At Berkeley, we understand performance as a mode of critical inquiry and
creative expression. Set within the intellectual resources of one of the
world's great universities, faculty and students in the Department of
Theater, Dance, and Performance Studies pursue a wide spectrum of research
and production activities, in the broader context of a wide-ranging and
critical education in the arts and humanities. The faculty is nationally
and internationally known both for its scholarly research--ranging from
Sophocles and Shakespeare to performance art, postcolonial theater, and
contemporary dance--and for creative work in acting, design, directing,
choreography, and performing. The Department administers several exciting
undergraduate major and minor programs; an innovative interdisciplinary
Ph.D. program in theater, dance and performance studies (The Graduate
Group in Performance Studies); and sponsors the Bay Area Repertory Dance
Company (BARD), a resident touring ensemble that tours and performs throughout
the year.
UNDERGRADUATE PROGRAMS
Undergraduate education in the Department of Theater, Dance, and Performance
Studies participates in the strongest traditions of arts and humanities
education at Berkeley. Students pursue intensive work in acting, critical
studies, design, directing, technical production, choreography, and modern
dance technique in two majors that emphasizes the methodological rigor
of the study of performance, and that set the literary, historical, theoretical,
and cultural traditions of performance in dialogue with other arts and
humanities disciplines. The faculty teach at all levels, and undergraduate
students have ample opportunity to study with major scholars and practitioners
in theater, dance, and performance studies. Students have significant
opportunities to participate in all aspects of performance, both in the
formal season offered by the Department and in smaller productions.
Separate major/degree programs are offered in Theater and Performance
Studies and in Dance and Performance Studies, and students are encouraged
to specialize within each program. Although all students fulfill general
requirements in all areas of theater or dance practice and performance
studies, they may specialize in one of several areas: acting, contemporary
dance and choreography, directing, design, technical production, or performance
studies. All students at Berkeley are required to fulfill an extensive
range of requirements outside their major, and students majoring in Theater
or in Dance are strongly encouraged to seek out courses in dramatic literature,
visual arts, and performance history, and culture and performance offered
by other departments in the College of Letters and Science.
Undergraduate majors and minors in the Department of Theater, Dance, and
Performance Studies are well-prepared for the future; the flexibility
and integration with the humanities characteristic of the major makes
them excellent candidates for graduate and professional schools, as well
as for continued work and education in theater and dance. Several students
have recently been honored by the American College Theater Festival and
one of our students won Outstanding Student Choreogrpher at the American
College Dance Festival (Southwest Region).
THE Ph.D. PROGRAM: The Graduate Group in Performance Studies
In the past decade, graduate studies in the field of drama, theater, and
performance studies has undergone an energetic renovation, and "performance"
itself has become critical to scholarship and research across the humanities.
At the same time, this disciplinary ferment has demanded a much higher
degree of specialization, and of scholarly rigor from Ph.D. candidates
seeking academic careers at the college and university level. The Graduate
Group Ph.D. in Performance Studies at Berkeley is at the cutting edge
of this epistemic shift. Centered in the Department of Theater, Dance,
and Performance Studies, it is composed of an unrivalled faculty drawn
from across the arts, humanities, and social sciences. Doctoral students
have the opportunity to engage in performance activities that complement
dissertation research, which itself ranges across the contemporary horizon
of drama, theater, and performance studies. Currently, Ph.D. students
are working on subjects that range from postcolonial theatricality to
the performance of medicine; from puppets and performing objects to contemporary
Shakespearean acting; from the discourses of Latino/a theater to feminist
geography in contemporary drama. Students admitted to the Ph.D. program
are offered a full package of support, including fellowship and teaching
assistantships.
PERFORMANCE AND PRODUCTION
The Department produces its own dance and theater, as well as reaching
out to sponsor performances by a range of individuals, companies, and
organizations. The production season at once serves the curricular demands
of the Department, providing important opportunities for students and
faculty to bring performance to the public, and creates a forum where
the larger Berkeley community--on-campus and off-campus--use performance
to interrogate, reflect on, and conceptualize contemporary culture. Both
in the main season and in collateral events--such as recent performances
by Theater Rice, The Chicano/Latino Theater Workshop, The Black Theater
Workshop--the Department sees performance as part of the larger discourse
of the university. It works closely with Cal Performances to bring artists
into dialogue and workshops with students (such as workshops by the Mark
Morris Dance Company, Margaret Jenkins Dance Company, San Francisco Ballet,
American Conservatory Theater, Berkeley Repertory Theatre, California
Shakespeare Festival); it sponsors a "Making Theater" series
of informal conversations with important voices in the field of contemporary
arts and humanities; it sponsors the production of innovative new performance
work (such as John Fisher's Partisans, Rhodessa Jones's Past
Time Paradise: Nobody Gets Out Alive!, Stan Lai's Dream Like a
Dream, and Joe Goode's The Leavers, as well as collaborating
with the Consortium for the Arts on events like the residency of performance
artist Tim Miller; it participates in the Artsbridge outreach program,
which facilitates university students' teaching of the arts in public
schools. The annual season sponsored by the Department includes both new
works, and critical productions of classic theater, directed both by UC
faculty and students as well as by invited directors; auditions are open
to the entire Berkeley community.
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